Memory play
Memory play is a term coined by playwright Tennessee Williams, describing his work The Glass Menagerie. In his production notes, Williams says, "Being a 'memory play', The Glass Menagerie can be presented with unusual freedom of convention." In a widening of the definition, it has been argued that Harold Pinter's plays Old Times, No Man's Land and Betrayal are memory plays, where "memory becomes a weapon". Brian Friel's Dancing at Lughnasa is a late 20th-century example of the genre.