Say " mime" and the name that comes to mind is Marcel Marceau.

说到“哑剧”，浮现在脑海中的名字就是马塞尔·马索。

Marceau has decided not to speculate.

玛索打算不再推测了。

In fact Marceau was a complex artist, scarred by adolescent upheaval.

事实上，马索是一个复杂的艺术家，青春期时发生的剧变让他伤痕累累。

" I couldn't believe it, " says Marceau. " There were so many comments I couldn't keep up."

玛索说，“我简直不敢相信，评论太多，我跟不上了。”

Offstage, Marceau was loquacious and in demand as a chat-show raconteur.

在台下，马索很健谈，是脱口秀中受欢迎的故事大王。

That year Marceau put on his first public entertainment as a mime, for a crowd of 3,000 American soldiers.

也是在那一年，马索作为哑剧演员为3000名美国士兵举行了他的首场公共娱乐活动。

Marceau, who was born 100 years ago in March 1923, is an outlier, admired for a rare ability to transform his body.

马索出生于100年前的1923年3月，他是一个异类，因其罕见的改变身体的能力而受人钦佩。

Marceau's subject matter ranged widely: pride, solitude, sin and the pathos of old age, as well as adaptations of Nikolai Gogol, Franz Kafka and Voltaire.

马索的主题十分广泛：傲慢、孤独、罪恶、暮年之悲哀，以及对尼古莱·果戈理、弗兰兹·卡夫卡和伏尔泰作品的改编。