Rodgers and Hammerstein worked differently than did Rodgers and Hart.

罗杰斯和哈默斯坦的工作方式与罗杰斯和哈特不同。

ALICE WINKLER: If you've never read Tales of the South Pacific, you've probably seen the stage adaptation by Rodgers and Hammerstein and Josh Logan.

如果你没读过《南太平洋故事》，你可能看过由罗杰斯、汉默斯坦和乔希·洛根改编的舞台剧。

Rodgers and Hammerstein also was the team that wrote the music for The Sound of Music, Carousel, and Oklahoma, among others.

Rodgers 和 Hammerstein 也是为音乐之声、Carousel 和 Oklahoma 等创作音乐的团队。

CAROL BURNETT: I had been auditioning for Rodgers and Hammerstein at the time, who were going to take a showdown to Florida, Babes in Arms, and I had many callbacks about it.

当时我正在为罗杰斯和汉默斯坦（词作家）试镜，他们将带着一场演出去佛罗里达，《娃娃从军记 》，我收到了很多关于这场演出的反馈。

As the musicals of Rodgers and Hammerstein did after the second world war, it supplies neon-lit flamboyance after pinched grey years, and a sequence of earworm songs that you didn't realise you knew.

正如罗杰斯和汉默斯坦的音乐剧在第二次世界大战后所做的那样，在短暂的灰色岁月之后， 它提供了霓虹灯下的华丽，以及一系列你没有意识到自己知道的耳虫歌曲。