By the way, Euripides can suck it.

顺便一说 让欧里庇得斯见鬼去吧。

Fourth grade are reading Euripides, Emerson and Shakespeare. These unteachable ones at the age of 10 are doing high school mathematics.

欧里庇得斯 爱默生和莎翁的作品 这些不可教的学生在十岁时 便可以做高中的数学。

In Euripides, everything that we think we know about tragedy begins to fall apart.

在欧里庇得斯那里， 我们自以为了解的关于悲剧的一切都开始分崩离析。

In Euripides, Electra has her hand on the sword, urging Orestes on with ruthless violence.

在 Euripides 中， Electra 手握剑， 用无情的暴力驱使 Orestes 继续前进。

Euripides looked at the same story and saw smeared makeup.

Euripides 看了同一个故事， 看到了污迹斑斑的妆容。

As Simon Goldhill shows, Euripides directly parodies Aeschylus.

正如西蒙戈德希尔所展示的那样， 欧里庇得斯直接戏仿了埃斯库罗斯。

Euripides, but equally Sophocles too as we saw in his Electra, leads us step by step toward something much more devastating where catharsis is suspended.

欧里庇得斯， 但同样是索福克勒斯， 正如我们在他的伊莱克特拉中看到的那样，带领我们一步步走向更具破坏性的东西， 宣泄暂停。

Greek tragedy, particularly with its obsessive focus on the aftermath of the Trojan War, especially in the delightful excessiveness of Euripides, is largely about combat veterans.

希腊悲剧，尤其是它对特洛伊战争后果的过度关注，尤其是在欧里庇得斯令人愉快的过度中，主要是关于退伍军人的。