The unities of time and place feel like natural choices.

时间和地点的一致并没有让人觉得违和。

So plays had to embrace the three unities: Unity of time, unity of place, and unity of action.

所以 戏剧必须包含三个一致：时间的一致、地点的一致和情节的一致。

He sets his plays right before an emotional crisis and most of his conflicts are internal, so upholding the unities of time, place and action isn't a struggle.

他将戏剧置于情感危机之前 他的大部分冲突都是内在的 所以遵循时间、地点和行动的一致性并没有那么地难。