Tragedy, particularly Euripidean drama, is replete with stunning displays of inconsistency.

悲剧，尤其是欧里庇得斯式的戏剧， 充满了惊人的前后矛盾。

This Euripidean logic can be extended in relation to the next topic in the Poetics: recognition.

这种欧里庇得斯逻辑可以扩展到诗学的下一个主题：识别。