But most often, you'll see it referred to as the " Dutch angle" .

但最常看到的名称叫做荷兰角镜头。

From there, the Dutch angle spread to noir films, featuring prominently in Citizen Kane and The Third Man.

从那时起，荷兰角镜头进到黑色电影里头，变成《国民凯恩》和《第三人》的一大特色。

The Dutch angle isn't actually Dutch; it's " Deutsch, " as in German for " German" .

荷兰角镜头其实跟荷兰无关；这个字来自德语的Deutsch，意思是德国。

Expressionist classics, like Metropolis and Nosferatu, soon followed, using that same lighting, drama, and, of course, Dutch angles—this time, using the camera to tilt the scene instead of the set.

经典表现主义电影，像是《大都会》和《不死殭尸》很快跟进，使用同样的灯光与戏剧效果，当然也少不了荷兰角镜头－－但这次，是倾斜了相机，而非场景本身。