Twelve-tone technique

The principal forms, P1 and I6, of Schoenberg's Piano Piece, op. 33a, tone row Play feature hexachordal combinatoriality and contains three perfect fifths each, which is the relation between P1 and I6 and a source of contrast between,

Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one note through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th century composers. Many important composers who had originally not subscribed to or even actively opposed the technique eventually adopted it in their music, such as Aaron Copland and Igor Stravinsky.

词汇	Cross partition
分类	英语词汇英语翻译词典
释义	Cross partition 英语百科 Twelve-tone technique Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one note through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th century composers. Many important composers who had originally not subscribed to or even actively opposed the technique eventually adopted it in their music, such as Aaron Copland and Igor Stravinsky.
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Cross partition

Twelve-tone technique